New Open Access Titles from Brill

Islam is often seen as a religious tradition in which hell does not play a particularly prominent role. This volume challenges this hackneyed view. Locating Hell in Islamic Traditions is the first book-length analytic study of the Muslim hell. It maps out a broad spectrum of Islamic attitudes toward hell, from the Quranic vision(s) of hell to the pious cultivation of the fear of the afterlife, theological speculations, metaphorical and psychological understandings, and the modern transformations of hell.
Contributors: Frederick Colby, Daniel de Smet, Christiane Gruber, Jon Hoover, Mohammad Hassan Khalil, Christian Lange, Christopher Melchert, Simon O’Meara, Samuela Pagani, Tommaso Tesei, Roberto Tottoli, Wim Raven, and Richard van Leeuwen.

The Look of Lyric: Greek Song and the Visual

Edited by Vanessa Cazzato and André Lardinois, Radboud University, Nijmegen, with an Introduction by Anastasia-Erasmia Peponi, Stanford University

The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.

The Newest Sappho (P. Sapph. Obbink and P. GC inv. 105, Frs. 1-4)

Edited by Anton Bierl, University of Basel and André Lardinois, Radboud University, Nijmegen

In The Newest Sappho Anton Bierl and André Lardinois have edited 21 papers of world-renowned Sappho scholars dealing with the new papyrus fragments of Sappho that were published in 2014. This set of papyrus fragments, the greatest find of Sappho fragments since the beginning of the 20th century, provides significant new readings and additions to five previously known songs of Sappho (frs. 5, 9, 16, 17 and 18), as well as the remains of four previously unknown songs, including the new Brothers Song and the Kypris Song. The contributors discuss the content of these poems as well as the consequence they have for our understanding of Sappho’s life and work