By Guitty AzarpayWith Contributions by Catherine Demos, Edward Gans, Lydia Gans, Wolfgang Heimpel, Anne Draffkorn Kilmer, Sanjyot Mehendale and Jeanette ZernekeI PREFACEBy Anne Draffkorn KilmerII CONTENTSIII FOREWORDBy Guitty Azarpay and Wolfgang HeimpelAcknowledgementsComposition of the CollectionIV INTRODUCTORY REMARKSBy Lydia Gans, Daughter of the Late Edward Gans
V “HOW IT ALL CAME ABOUT”By Edward Gans, 1989
VI INTRODUCTION TO THE CATALOGUEBy Guitty Azarpay
History and Composition of the Sasanian Seals in the Gans CollectionOrganization of the Catalog
VII NOTE ON THE CLASSIFICATION OF THE SEALS
Particulars of the Sasanian Seals
Gans' Interest in Seals
Function and Patronage
Note on the Inscriptions, by Philippe Gignoux
Stones and Materials
Shapes
Artistic Style
Iconographic Theme
Chronology
Meaning in Sasanian Art
A Historical Overview
The Meaning of the Imagery on Sasanian Seals
List of Motifs on the Sasanian Seals and on Seal-Related Objects in the Gans Collection
By Sanjyot Mehendale
VIII CREATION OF THE ARCHIVE
By Catherine Demos
IX ELECTRONIC PUBLICATION
By Jeanette Zerneke
X BIBLIOGRAPHY
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SASANIAN SEALS FROM THE COLLECTION OF THE LATE EDWARD GANS
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